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curator's noteThis week, our writers discuss a film that speaks quietly to its audience and requires the recognition of the quiet intensity of the narrative. SILENCE (Pat Collins 2012) is about a sound recordist, Eoghan (Eoghan Mac Giolla Bhride), who returns to Ireland after 15 years of living in Germany to record areas free of man-made sound. During his quest, he is influenced by folklore and a series of challenging encounters that reflect the intangible silence of his childhood. The film celebrates the beautifully poetic landscape of Ireland and the stories it has to tell. LISTENING OUT FOR HOMEGEORGE LEE In the film SILENCE (Pat Collins 2012), Eoghan is tasked with returning to his Irish homeland - after being away 15 years - to record sounds free from man-made noise. The purpose of his labour is not disclosed, only that he has been employed to do so. To achieve silence, however, seems futile. To be able to record noises truly free of any man-made sound is unfeasible as, to be able to record sound in general, it requires the use of a man-made machine which in turn makes a sound. Even the most minimal hum of a battery pack prevents silence from being achieved. At one point a man stumbles upon Eoghan and asks "So you’re here?" and Eoghan replies "I am here yeah, but I’m keeping quiet". This conversation seems reminiscent of the old thought experiment: "If a tree falls in the forest and no one is there to hear it, does it make a sound?" Ergo, if Eoghan is there to record it then his presence will prevent the goal of silence. Eoghan seemingly knows that recording silence is impossible, which therefore raises the question of why is he doing it? Or if he really is being employed to do it, what is the purpose of his employer? It seems that this quest for silence is simply an unexplained plot device in order for Eoghan to return home and face his past, as his new life in Berlin acts as an escape from his vague but painful memories of Ireland. Eoghan returning to his homeland is significant as he becomes the tree from the thought experiment. If he is not physically in Ireland, does it continue to exist without his presence? What he slowly learns through the film is that life continues, regardless of if he is there to witness it. Every day this week a different writer will provide their perspective on our MUBIVIEWS film and each post will be open to comments from our readers. Watch SILENCE on mubi.com until 26 April 2017 and join the discussion!
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curator's noteThis week, our writers discuss a film that speaks quietly to its audience and requires the recognition of the quiet intensity of the narrative. SILENCE (Pat Collins 2012) is about a sound recordist, Eoghan (Eoghan Mac Giolla Bhride), who returns to Ireland after 15 years of living in Germany to record areas free of man-made sound. During his quest, he is influenced by folklore and a series of challenging encounters that reflect the intangible silence of his childhood. The film celebrates the beautifully poetic landscape of Ireland and the stories it has to tell. HOMESICKEM HOUGHTON While SILENCE (Pat Collins 2012) does not offer much in terms of a sophisticated narrative, it does provide a thought-provoking exploration of the philosophical concept of “home”. When sound recordist Eoghan (Eoghan MacGiolla Bhríd) returns home to the remote Tory Island after living in Germany for fifteen years, the audience are taken on a journey with him through the poetic sounds of the Irish landscape. As Eoghan searches for sounds that are free from man-made noises, the picturesque settings he ventures to on his travels create the backdrop for a soundtrack provided by nature. A symphony of bird songs, blowing winds and crashing waves all add to Eoghan’s journey home, sounds that were carefully chosen by SILENCE’s sound recordists John Brennan and Eammon Little. Eoghan immerses the audience with the sounds he discovers; they are sounds that create a sense of synaesthesia, engaging more than just one of the senses by pulling the listeners to these locations. The scenes where Eoghan is at one with the landscape and listens to the sounds of the natural world are especially immersive and three-dimensional. You can almost feel the wind brushing against you as birds fly over head and sing to one another. It is incredibly relaxing to hear, evoking a sense of safety akin to that felt by being somewhere you can call home. It is a nostalgic feeling, especially if it you grew up in a similarly rural setting. Rather than representing the physical home that Eoghan returns to, it audibly symbolises the familiarity and safety felt when reminiscing about where you have come from. It makes the film more powerful; as Eoghan is transported home, so are the audience. Every day this week a different writer will provide their perspective on our MUBIVIEWS film and each post will be open to comments from our readers. Watch SILENCE on mubi.com until 26 April 2017 and join the discussion!
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