DIEGESIS MAGAZINE
  • Home
    • About >
      • Like Us!
      • Join in >
        • Subscribe
        • Pitch
      • Contact Us
  • Print Issues
    • ALL
    • BEGINNING
    • END
    • I.D./CONTROL >
      • I.D.
      • CONTROL
    • COMPILATION
    • Conflict >
      • Conflict writers
    • Waste
  • Mini Issues
    • DECADE
    • RESET
    • 7 Deadly Sins >
      • SLOTH Mar 2020
      • WRATH FEB 2020
      • GREED JULY 2018
      • PRIDE JUNE 2018
      • ENVY MARCH 2018
      • GLUTTONY JANUARY 2018
      • LUST DECEMBER 2017
    • Personal August 2017
    • Short July 2017
    • Reality May 2017
    • Noise April 2017
    • Journey Mar 2017
    • Accolade Feb 2017
    • Fresh Starts and Finales Jan 2017
    • Emotional Summer 2016 >
      • LOVE
      • ANGER
      • SADNESS
      • SURPRISE
      • JOY
      • FEAR
  • Archive
    • Reviews
    • Interviews
    • Festivals
    • Articles
  • Blog
    • MUBIVIEWS
DIEGESIS : THE UNCONVENTIONAL MAGAZINE OF FILM AND TELEVISION CRITICISM
watch / read / discuss

MUBIVIEWS

    join the discussion
    sign up for film announcements and new blog alerts
Notify Me
Picture

MUBIVIEWS: BATTLE ROYALE [day two]

23/5/2017

0 Comments

 

curator's note

This week our writers delve deep into the brutal fight for survival in their exploration of Kinji Fuasaka's Japanese teen-horror BATTLE ROYALE (2000).

AN AGE-OLD BATTLE

STEVEN FEGAN

Picture
The young-adult dystopian movie boom of the past ten years in mainstream cinema has often followed similar tropes that have proven successful, both financially and through audience reception. Films such as THE HUNGER GAMES (Gary Ross 2012) and THE MAZE RUNNER (Wes Ball 2014) have depicted dystopian worlds where the teen heroes are the puppets and the adults are their puppet masters.

BATTLE ROYALE (Kinji Fukasaku 2000) uses a similar approach and was one of the first to do so. Following the release of THE HUNGER GAMES, the Japanese film ushered in an age of young versus old and has seen a resurgence in popularity; it was the exceedingly violent film that mainstream audiences had hoped THE HUNGER GAMES would be. BATTLE ROYALE includes metaphorical undertones of young people navigating an adult-controlled world to create a relatable, albeit excessive, version of contemporary society. Here, decisions about the future lie in the hands of adults. The young have little choice but to follow.

Part of the enduring appeal of films such as BATTLE ROYALE stems from placing young adults as the protagonists, guaranteeing a large demographic. It also represents their insecurities as children in an adult-controlled world that is presented in a highly stylised, dystopian environment created by adults. This is not too dissimilar to modern society where decisions are made by an older generation yet it is the youth who will ultimately navigate the world that has been created for them.

With rumours of censorship in various countries including the US and Canada,  BATTLE ROYALE remains a relevant film from a societal perspective since its mainstream resurgence. Banned to anyone under the age of 15 after its release in Japan, the film's controversial themes and its difficulty in reaching a mainstream audience only solidify its cultural significance. Such censorship is controlled by adults; the primary demographic - young adults - suffer the consequences as a result.

Every day this week a different writer will provide their perspective on our MUBIVIEWS film and each post will be open to comments from our readers. Watch BATTLE ROYALE on mubi.com until 30 May 2017 and join the discussion!
0 Comments

    MUBIVIEWS

    One MUBI film, five perspectives, endless possibilities.

    Archives

    July 2017
    June 2017
    May 2017
    April 2017
    March 2017

    Categories

    All
    Adolescence
    Alice In Wonderland
    Audience
    Battle Royale
    Childhood
    Class
    Comedy
    Coming-of-age
    Contact High
    Dialogue
    Disability
    Documentary
    Drugs
    Editing
    Gender
    Genre
    Identity
    Insanity
    Ireland
    Landscape
    La Rupture
    MacGuffin
    Mise En Scène
    Mise-en-scène
    Morals And Ethics
    Motherhood
    Narrative
    Nostalgia
    Opening Scene
    Scorsese
    Silence
    Social Realism
    Sound
    Sound Recording
    Taxi Driver
    The Boy From Geita
    Tomboy
    Violence
    Voyeurism
    Youth

    RSS Feed

Powered by Create your own unique website with customizable templates.
  • Home
    • About >
      • Like Us!
      • Join in >
        • Subscribe
        • Pitch
      • Contact Us
  • Print Issues
    • ALL
    • BEGINNING
    • END
    • I.D./CONTROL >
      • I.D.
      • CONTROL
    • COMPILATION
    • Conflict >
      • Conflict writers
    • Waste
  • Mini Issues
    • DECADE
    • RESET
    • 7 Deadly Sins >
      • SLOTH Mar 2020
      • WRATH FEB 2020
      • GREED JULY 2018
      • PRIDE JUNE 2018
      • ENVY MARCH 2018
      • GLUTTONY JANUARY 2018
      • LUST DECEMBER 2017
    • Personal August 2017
    • Short July 2017
    • Reality May 2017
    • Noise April 2017
    • Journey Mar 2017
    • Accolade Feb 2017
    • Fresh Starts and Finales Jan 2017
    • Emotional Summer 2016 >
      • LOVE
      • ANGER
      • SADNESS
      • SURPRISE
      • JOY
      • FEAR
  • Archive
    • Reviews
    • Interviews
    • Festivals
    • Articles
  • Blog
    • MUBIVIEWS