DIEGESIS MAGAZINE
  • Home
    • About >
      • Like Us!
      • Join in >
        • Subscribe
        • Pitch
      • Contact Us
  • Print Issues
    • ALL
    • BEGINNING
    • END
    • I.D./CONTROL >
      • I.D.
      • CONTROL
    • COMPILATION
    • Conflict >
      • Conflict writers
    • Waste
  • Mini Issues
    • DECADE
    • RESET
    • 7 Deadly Sins >
      • SLOTH Mar 2020
      • WRATH FEB 2020
      • GREED JULY 2018
      • PRIDE JUNE 2018
      • ENVY MARCH 2018
      • GLUTTONY JANUARY 2018
      • LUST DECEMBER 2017
    • Personal August 2017
    • Short July 2017
    • Reality May 2017
    • Noise April 2017
    • Journey Mar 2017
    • Accolade Feb 2017
    • Fresh Starts and Finales Jan 2017
    • Emotional Summer 2016 >
      • LOVE
      • ANGER
      • SADNESS
      • SURPRISE
      • JOY
      • FEAR
  • Archive
    • Reviews
    • Interviews
    • Festivals
    • Articles
  • Blog
    • MUBIVIEWS
DIEGESIS : THE UNCONVENTIONAL MAGAZINE OF FILM AND TELEVISION CRITICISM
watch / read / discuss

MUBIVIEWS

    join the discussion
    sign up for film announcements and new blog alerts
Notify Me
Picture

MUBIVIEWS: SILENCE [day three]

12/4/2017

0 Comments

 

curator's note
This week, our writers discuss a film that speaks quietly to its audience and requires the recognition of the quiet intensity of the narrative. SILENCE (Pat Collins 2012) is about a sound recordist, Eoghan (Eoghan Mac Giolla Bhride), who returns to Ireland after 15 years of living in Germany to record areas free of man-made sound. During his quest, he is influenced by folklore and a series of challenging encounters that reflect the intangible silence of his childhood. The film celebrates the beautifully poetic landscape of Ireland and the stories it has to tell.

TALKING IN SILENCE

MATTHEW WEARS

Picture
Contrary to what the title would suggest, SILENCE (Pat Collins 2012) is a film in which sound plays an equally important role as to its absence. Although the film follows the brooding Eoghan (played by co-writer, Eoghan Mac Giolla Bhride) and his quest for quiet, it is through dialogue that the secrets to this film are unlocked. Seemingly random encounters occur throughout this pensive piece of filmmaking and the conversations had during these moments act as our guide through the often ambiguous narrative. 

This is an extremely personal film and with each new character a new concept or snippet of information is unveiled. These interactions allow for Eoghan’s conscience to slowly be exposed as well as allowing us to delve deeper into his memories. The information gives the audience a framework to better understand the film. This is explicitly demonstrated in the scene in which Eoghan joins a local man for a drink in his mother's house. Together, they talk of philosophical theories which re-contextualise what silence could actually represent. Here, it is perceived as a concept achievable only prior to birth or after death. It is perhaps the most crucial scene in the film, allowing the audience to view silence as something other than an objective of tranquillity. It can also be seen as devoid of any life or existence.  

The conversation that takes place is extremely free-flowing and natural, making it hard to determine where "documentary" ends, and "drama" begins. SILENCE is a film that requires the utmost attention to the dialogue and themes being discussed in order to interpret the narrative. Without these pivotal pieces of information, the film becomes nothing more than an assortment of bleak images, perhaps only fully understood by the writer himself. The brief exchanges throughout act as the glue to produce a coherent, thought-provoking film.

Every day this week a different writer will provide their perspective on our MUBIVIEWS film and each post will be open to comments from our readers. Watch SILENCE on mubi.com until 26 April 2017 and join the discussion!
0 Comments

Your comment will be posted after it is approved.


Leave a Reply.

    MUBIVIEWS

    One MUBI film, five perspectives, endless possibilities.

    Archives

    July 2017
    June 2017
    May 2017
    April 2017
    March 2017

    Categories

    All
    Adolescence
    Alice In Wonderland
    Audience
    Battle Royale
    Childhood
    Class
    Comedy
    Coming-of-age
    Contact High
    Dialogue
    Disability
    Documentary
    Drugs
    Editing
    Gender
    Genre
    Identity
    Insanity
    Ireland
    Landscape
    La Rupture
    MacGuffin
    Mise En Scène
    Mise-en-scène
    Morals And Ethics
    Motherhood
    Narrative
    Nostalgia
    Opening Scene
    Scorsese
    Silence
    Social Realism
    Sound
    Sound Recording
    Taxi Driver
    The Boy From Geita
    Tomboy
    Violence
    Voyeurism
    Youth

    RSS Feed

Powered by Create your own unique website with customizable templates.
  • Home
    • About >
      • Like Us!
      • Join in >
        • Subscribe
        • Pitch
      • Contact Us
  • Print Issues
    • ALL
    • BEGINNING
    • END
    • I.D./CONTROL >
      • I.D.
      • CONTROL
    • COMPILATION
    • Conflict >
      • Conflict writers
    • Waste
  • Mini Issues
    • DECADE
    • RESET
    • 7 Deadly Sins >
      • SLOTH Mar 2020
      • WRATH FEB 2020
      • GREED JULY 2018
      • PRIDE JUNE 2018
      • ENVY MARCH 2018
      • GLUTTONY JANUARY 2018
      • LUST DECEMBER 2017
    • Personal August 2017
    • Short July 2017
    • Reality May 2017
    • Noise April 2017
    • Journey Mar 2017
    • Accolade Feb 2017
    • Fresh Starts and Finales Jan 2017
    • Emotional Summer 2016 >
      • LOVE
      • ANGER
      • SADNESS
      • SURPRISE
      • JOY
      • FEAR
  • Archive
    • Reviews
    • Interviews
    • Festivals
    • Articles
  • Blog
    • MUBIVIEWS