Reviews Archive - H
Hatchet Job
Set aside that axe momentarily. The notorious and popular critic Mark Kermode addresses the current state of screen criticism in his most recent endeavour Hatchet Job: Love Movies, Hate Critics. by CAINE BIRD |
Her
Spike Jonze's latest offers an extraordinary vision of the future and is an all-round sensory experience. by CAINE BIRD |
Hercules
It takes the strength of ten men to endure Brett Ratner’s gleeful renovation of Hercules. by CAINE BIRD |
The Magazine |
Here Comes the Devil
A dark and twisted tale about the mysterious disappearance and re-appearance of a brother and sister. But does it have anything to offer the horror genre? by REBECCA COHEN |
The Hidden Face
From Panic Room to The Skin I Live In, the hidden room has been used as a narrative device to create suspense and anticipation. The Hidden Face gives the trope a Spanish twist. by GEORGIE-MAY LANCASHIRE |
How to Train Your Dragon 2
Pixar may seem like the poster-child of the animation genre with DreamWorks’ creativity seeming to have dimmed lately. by ZARA FULLBROOK |
The Honourable Woman
BBC2’s drama The Honourable Woman offers a compelling and emotional eight-part series. by CHLOE GEORGE |
The Hunger Games:
Catching Fire Jennifer Lawrence's Katniss Everdeen returns as the “girl on fire”, this time struggling with the pressure of being the 74th Hunger Games victor and a symbol of hope for the 12 districts of the post-apocalyptic Panem. by MATTY WATSON |
Festival / Venue Reviews
Sitting at the Dock of the Bay
Southampton cinephiles rejoice! After a two week closure, Harbour Lights Picturehouse reopened its doors on the 12th July 2013 and the public were greeted by brand new screening rooms and... ahem... new loos. by CAINE BIRD |
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Diegesis Magazine is produced by the BA (Hons) Film and Television Studies degree at Southampton Solent University. The views expressed in Diegesis are those of the authors and do not reflect the official policy or position of Southampton Solent University. |
