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DIEGESIS : THE UNCONVENTIONAL MAGAZINE OF FILM AND TELEVISION CRITICISM

CUT TO [compilation] original photography: Hannah Stockem

15/3/2017

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Picture
Blur by Hannah Stockem
In our second post introducing the photographers behind some of the original images featured in CUT TO [compilation], we introduce Hannah Stockem, whose work features twice in the magazine.

​"Blur" (above) is a fitting accompaniment to Bianca Garner's article on PROMETHEUS, paratexts and "the space beyond the screen" that was originally published in CUT TO [space]. "Cloudy" (below) stunningly illustrates Alice Stansfield's article on WALL-E and animating environmental apocalypse that was originally published in CUT TO [waste].
Tell us a little bit about yourself
I'm a third year photography student at Solent and will be finishing my degree soon. In my work I often think about abstraction, environmental issues and materiality.
What is your approach to photography?
I often combine physical and digital practices and make miniature paper models which I then photograph. I collect old film cameras and I'm very interested in the materiality of objects and photographs.
Picture
Cloudy by Hannah Stockem
Tell us about your photography in CUT TO [compilation]
"Blur" represents mystery and an appreciation of abstraction and formality while "Cloudy" deals with the implications of globalisation and waste. 
Where can we see more of your work?
My professional Instagram is: @hannahstockem. My other photography instagram is: @grrrgh.
Picture
Hannah Stockem, wet plate portrait
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